Almedahls
Almedahls
For more than a century, Almedahls has been working with the best Scandinavian designers to create classic yet modern lines. With over 10,000 different prints, Almedahls could be described as a goldmine of modern design.
The aesthetic of Almedahls Home is minimalist yet beautiful, and functionality is key.
The story of Almedahls
Almedahls, a jewel of Swedish textile history, dates back to the late 1830s when Hans H. Wesslau took over a dyeing and bleaching company that was in financial difficulties and employed around twenty workers.
Almedahls was born in 1846, when Hans H. Wesslau founded the company and concentrated on the production of linen fabrics. The very next year, 1847, Almedahls demonstrated its social commitment by building housing and an elementary school for the factory workers and their families. These efforts also included free medical care, free medicines, accident insurance and a pension and burial fund.
The success of Almedahls was evident as the company grew rapidly and by 1848 the number of employees had risen to 83 and turnover had doubled. In 1857 and 1862, the company received several awards for its high quality at the World's Fairs in Paris and London.
At the turn of the century in 1900, Almedahl's and Jonsered's factories together accounted for 50% of Swedish linen production. Despite the challenges during the war, Almedahls demonstrated resilience and the ability to overcome adversity.
In 1955, a new era began for Almedahls when the company collaborated with well-known designer Astrid Sampe and NK's Textilkammare - a foray into modern linen storage. This collaboration led to the creation of modern design lines where creativity and design could flourish.
In 1958 the head office was moved from Gothenburg to Dalsjöfors and in 2005 to Kinna, 45 minutes outside of Gothenburg. This strategic move underlines Almedahls continuous adaptation and commitment to remain a leading force in the Swedish textile industry.
Almedahls' impressive history is a testament to a long and successful journey, where social commitment and a constant strive for quality and innovation have characterized the company's development. With more than 175 years of experience, Almedahls continues to shine brightly in the Swedish textile landscape.
For more than a century, Almedahls has been working with the best Scandinavian designers to create classic yet modern lines. With over 10,000 different prints, Almedahls could be described as a goldmine of modern design.
The aesthetic of Almedahls Home is minimalist yet beautiful, and functionality is key.
The story of Almedahls
Almedahls, a jewel of Swedish textile history, dates back to the late 1830s when Hans H. Wesslau took over a dyeing and bleaching company that was in financial difficulties and employed around twenty workers.
Almedahls was born in 1846, when Hans H. Wesslau founded the company and concentrated on the production of linen fabrics. The very next year, 1847, Almedahls demonstrated its social commitment by building housing and an elementary school for the factory workers and their families. These efforts also included free medical care, free medicines, accident insurance and a pension and burial fund.
The success of Almedahls was evident as the company grew rapidly and by 1848 the number of employees had risen to 83 and turnover had doubled. In 1857 and 1862, the company received several awards for its high quality at the World's Fairs in Paris and London.
At the turn of the century in 1900, Almedahl's and Jonsered's factories together accounted for 50% of Swedish linen production. Despite the challenges during the war, Almedahls demonstrated resilience and the ability to overcome adversity.
In 1955, a new era began for Almedahls when the company collaborated with well-known designer Astrid Sampe and NK's Textilkammare - a foray into modern linen storage. This collaboration led to the creation of modern design lines where creativity and design could flourish.
In 1958 the head office was moved from Gothenburg to Dalsjöfors and in 2005 to Kinna, 45 minutes outside of Gothenburg. This strategic move underlines Almedahls continuous adaptation and commitment to remain a leading force in the Swedish textile industry.
Almedahls' impressive history is a testament to a long and successful journey, where social commitment and a constant strive for quality and innovation have characterized the company's development. With more than 175 years of experience, Almedahls continues to shine brightly in the Swedish textile landscape.
Almedahls big tray round FÅGLARNA PRATAR Ø 38 cm
tray, Ø 38 cm, dishwasher-safe
Design: Olle Eksell
motive: FÅGLARNA PRATAR
Design: Olle Eksell
motive: FÅGLARNA PRATAR
Almedahls big tray round Tomtenisse Ø 38 cm
tray, Ø 38 cm, dishwasher-safe
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
Almedahls coffee tin Apple , h 21,1 cm
big tin
size: 102x73x211 mm
Design: Victoria Möllgard
motive: apple green/red
size: 102x73x211 mm
Design: Victoria Möllgard
motive: apple green/red
Almedahls coffee tin Pomona , h 21,1 cm
big tin
size: 102x73x211 mm
Design: Marianne Westman, Design from 1950
motive: Pomona multicolour
size: 102x73x211 mm
Design: Marianne Westman, Design from 1950
motive: Pomona multicolour
Almedahls oven glove Picknick , h 11 cm
oven glove
material: 100% Cotton
care: delicates 40 °C, not tumble-dry
Design: Marianne Westman, Design von 1954
motive: Picknick
material: 100% Cotton
care: delicates 40 °C, not tumble-dry
Design: Marianne Westman, Design von 1954
motive: Picknick
Almedahls oven glove Tomtenisse
oven glove, 30x15 cm
material: 55% Linen, 45% Cotton
care: delicates 40 °C, not tumble-dry
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
material: 55% Linen, 45% Cotton
care: delicates 40 °C, not tumble-dry
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
Almedahls Picknick tray Ø 65 cm + tray stand white,
set: big tray, Ø 65 cm, dishwasher-safe and tray stand white, h 53 cm
Design: Marianne Westman
motive: Picknick
Design: Marianne Westman
motive: Picknick
Almedahls small tray Picknick 27x20 cm
tray, 27x20 cm, dishwasher-safe
Design: Marianne Westman
motive: Picknick
Design: Marianne Westman
motive: Picknick
Almedahls small tray round FÅGLARNA PRATAR 32x32 cm
small tray, 32x32 cm, dishwasher-safe
Design: Olle Eksell
motive: FÅGLARNA PRATAR
Design: Olle Eksell
motive: FÅGLARNA PRATAR
Almedahls small tray Tomtenisse 27x20 cm
tray, 27x20 cm, dishwasher-safe
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
Design: Studio Almedahls, Design from 1960
motive: Tomtenisse
Almedahls Surt sa räven trayØ 45 cm + tray stand black,
set: tray, Ø 45 cm, dishwasher-safe and tray stand black, h 53 cm
Design: Kerstin Boulogner
motive: Surt sa räven
Design: Kerstin Boulogner
motive: Surt sa räven
Almedahls tea tin Apple , h 11 cm
small tin
size: 102x73x110 mm
Design: Victoria Möllgard
motive: Apple, colours: red, green
size: 102x73x110 mm
Design: Victoria Möllgard
motive: Apple, colours: red, green
Almedahls tea towel Apple, 47x70 cm
55% linen 45% cotton
size: 47 x 70 cm
Design: Victoria Möllgard
motive: apples, leaves, colour: green/red
care: delicates 40 °C, not tumble-dry
size: 47 x 70 cm
Design: Victoria Möllgard
motive: apples, leaves, colour: green/red
care: delicates 40 °C, not tumble-dry
Almedahls tea towel Pomona, 47x70 cm
55% linen 45% cotton
size: 47 x 70 cm
Design: Marianne Westman, Design from 1950s
motive: apples
care: delicates 40 °C, not tumble-dry
size: 47 x 70 cm
Design: Marianne Westman, Design from 1950s
motive: apples
care: delicates 40 °C, not tumble-dry
Almedahls tea towel FÅGLARNA PRATAR, 47x70 cm
55% linen 45% cotton
size: 47 x 70 cm
Design: Olle Eksell, Design from 1960
motive: birds
Pflege: Feinwäsche 40 °C, nicht in den Trockner
size: 47 x 70 cm
Design: Olle Eksell, Design from 1960
motive: birds
Pflege: Feinwäsche 40 °C, nicht in den Trockner
Almedahls tea towel Käfta, 47x70 cm
55% linen 45% cotton
size: 47 x 70 cm
Design: Astrid Sampe
motive: Käfta, white, black, red
Pflege: Feinwäsche 40 °C, nicht in den Trockner
size: 47 x 70 cm
Design: Astrid Sampe
motive: Käfta, white, black, red
Pflege: Feinwäsche 40 °C, nicht in den Trockner
Almedahls
For more than a century, Almedahls has been working with the best Scandinavian designers to create classic yet modern lines. With over 10,000 different prints, Almedahls could be described as a goldmine of modern design.
The aesthetic of Almedahls Home is minimalist yet beautiful, and functionality is key.
The story of Almedahls
Almedahls, a jewel of Swedish textile history, dates back to the late 1830s when Hans H. Wesslau took over a dyeing and bleaching company that was in financial difficulties and employed around twenty workers.
Almedahls was born in 1846, when Hans H. Wesslau founded the company and concentrated on the production of linen fabrics. The very next year, 1847, Almedahls demonstrated its social commitment by building housing and an elementary school for the factory workers and their families. These efforts also included free medical care, free medicines, accident insurance and a pension and burial fund.
The success of Almedahls was evident as the company grew rapidly and by 1848 the number of employees had risen to 83 and turnover had doubled. In 1857 and 1862, the company received several awards for its high quality at the World's Fairs in Paris and London.
At the turn of the century in 1900, Almedahl's and Jonsered's factories together accounted for 50% of Swedish linen production. Despite the challenges during the war, Almedahls demonstrated resilience and the ability to overcome adversity.
In 1955, a new era began for Almedahls when the company collaborated with well-known designer Astrid Sampe and NK's Textilkammare - a foray into modern linen storage. This collaboration led to the creation of modern design lines where creativity and design could flourish.
In 1958 the head office was moved from Gothenburg to Dalsjöfors and in 2005 to Kinna, 45 minutes outside of Gothenburg. This strategic move underlines Almedahls continuous adaptation and commitment to remain a leading force in the Swedish textile industry.
Almedahls' impressive history is a testament to a long and successful journey, where social commitment and a constant strive for quality and innovation have characterized the company's development. With more than 175 years of experience, Almedahls continues to shine brightly in the Swedish textile landscape.
For more than a century, Almedahls has been working with the best Scandinavian designers to create classic yet modern lines. With over 10,000 different prints, Almedahls could be described as a goldmine of modern design.
The aesthetic of Almedahls Home is minimalist yet beautiful, and functionality is key.
The story of Almedahls
Almedahls, a jewel of Swedish textile history, dates back to the late 1830s when Hans H. Wesslau took over a dyeing and bleaching company that was in financial difficulties and employed around twenty workers.
Almedahls was born in 1846, when Hans H. Wesslau founded the company and concentrated on the production of linen fabrics. The very next year, 1847, Almedahls demonstrated its social commitment by building housing and an elementary school for the factory workers and their families. These efforts also included free medical care, free medicines, accident insurance and a pension and burial fund.
The success of Almedahls was evident as the company grew rapidly and by 1848 the number of employees had risen to 83 and turnover had doubled. In 1857 and 1862, the company received several awards for its high quality at the World's Fairs in Paris and London.
At the turn of the century in 1900, Almedahl's and Jonsered's factories together accounted for 50% of Swedish linen production. Despite the challenges during the war, Almedahls demonstrated resilience and the ability to overcome adversity.
In 1955, a new era began for Almedahls when the company collaborated with well-known designer Astrid Sampe and NK's Textilkammare - a foray into modern linen storage. This collaboration led to the creation of modern design lines where creativity and design could flourish.
In 1958 the head office was moved from Gothenburg to Dalsjöfors and in 2005 to Kinna, 45 minutes outside of Gothenburg. This strategic move underlines Almedahls continuous adaptation and commitment to remain a leading force in the Swedish textile industry.
Almedahls' impressive history is a testament to a long and successful journey, where social commitment and a constant strive for quality and innovation have characterized the company's development. With more than 175 years of experience, Almedahls continues to shine brightly in the Swedish textile landscape.